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Create a 15.4-second vertical surreal cinematic video about time, routine, and emotional invisibility inside a crowded transit hall. The main subject is a middle-aged businessman in a charcoal suit, white shirt, and dark tie. His head is replaced by a realistic round analog wall clock with a white dial, black numerals, black hands, and a metallic silver frame. The station is cold, desaturated, and slightly foggy, with a vaulted glass skylight overhead. The crowd around him is made of ordinary commuters in coats and office wear. They move quickly while he remains eerily calm and slow, creating a strong contrast between personal stillness and urban velocity.

Shot-by-shot timeline:
0.00-2.80: Start with a wide frontal shot in the center of a busy underground concourse or train station. The clock-headed man stands almost motionless in the middle of the flow while commuters rush around him in motion blur. Camera slowly pushes in. Lighting is cool blue-gray with soft bloom.
2.80-5.20: Cut to a rear medium shot following him from behind. Show the back casing of the clock head. The crowd crosses both directions around him, shoulder-level camera, shallow depth of field, restrained handheld drift.
5.20-7.90: Cut to a side-angled moving shot with foreground wipes from passing bodies. Keep him composed and quiet while the environment feels impatient. One passerby arm briefly enters frame, emphasizing his presence among people who do not truly notice him.
7.90-10.80: Cut to a close-up portrait of the clock face under the skylight. The clock fills most of the frame. Let the camera breathe with a subtle micro-push and slight lens breathing. The atmosphere should feel contemplative, not horror.
10.80-13.50: Low-angle medium shot. The man lifts both hands to the sides of the clock as if adjusting his own identity or carrying the weight of time. Background commuters remain blurred and indifferent.
13.50-15.44: Final centered shot. He lowers the clock into both hands at waist level, presenting it toward camera while the crowd continues behind him. End on a quiet, unresolved image.

Visual direction:
surreal realism, cinematic symbolism, commercial-grade AI film look, realistic anatomy, realistic prop integration, natural commuter motion, soft atmospheric haze, cold monochrome palette, muted charcoal wardrobe, subtle bloom, clean contrast, premium depth of field, emotionally restrained performance, existential mood, high production value, vertical composition, art-house brand film tone

Camera and motion:
35mm and 50mm equivalent lenses, shallow depth of field, slow push-ins, restrained handheld drift, natural crowd parallax, no aggressive whip pans, no flashy transitions, smooth editorial rhythm, believable optical compression

Environment:
modern indoor transit hub, vaulted skylight ceiling, gray walls, diffuse overhead daylight, slight haze, busy commuting rush, urban loneliness, anonymous public space

Negative prompt:
cheap horror, glitch face, cartoon styling, extra limbs, broken hands, warped suit, unreadable clock numbers, melting metal, duplicated people, empty station, neon cyberpunk, oversaturated colors, comedic slapstick, low-detail background, bad reflections, floating props, clock fused into shoulders incorrectly, deformed crowd faces, strobing light, text overlays, subtitles, watermark except unavoidable platform source, frame tearing

Speech pack:
No spoken dialogue. No narrator. No lip sync. Optional sound design only: distant station ambience, footsteps, coat rustle, soft HVAC rumble, muffled crowd movement, faint ticking layered very low in the mix, no music for the first half, then a minimal ambient drone swelling gently near the end.