Explore. Create. Go viral.

GLOBAL LOCK: a vertical analog-digital propaganda bumper about attention capture, rendered in neon magenta, cyan, white, and deep black. The recurring human subject is one middle-aged man with medium-brown skin, dark hair, and a full beard, shown in close profile and frontal portraits under toxic screen light. Core environments include a glowing smartphone feed in a hand, an extreme eye macro reflecting screen content, a room lined with repeated screens or a stack of CRT monitors showing the man’s face, and abstract command-card overlays. The message logic is coercive and media-critical: scrolling leads to consumption, consumption leads to engagement, and engagement becomes environmental imprisonment. Camera language should feel like ad-tech horror with glossy close-ups, isolated command words, and surveillance-display imagery. No dialogue, no subtitles beyond the command phrases, no naturalistic daytime scenes.

[00:00-00:01] Open on a close-up of a hand using a bright smartphone in a dark room. The phone screen is filled with repeated pink-cyan thumbnails or social content tiles, and the thumb scrolls upward across them. Overlay or embed the phrase “KEEP” or the beginning of a command in faint glitch text near the screen, suggesting compulsive feed behavior. Keep the image glossy, high-contrast, and screen-lit.

[00:01-00:02] Cut to a close side-profile portrait of the bearded man wearing earbuds or listening quietly, illuminated by magenta-cyan screen light. The command word “CONSUME” appears in pale capitals behind or beside him, as if projected by the system he is trapped in. His expression stays passive and absorbed.

[00:02-00:03] Extreme macro of a human eye with a bright pink-cyan screen reflection in the pupil. The eye fills the frame, making spectatorship itself feel invasive. Keep the eyelid, lashes, and chromatic bloom detailed and hyper-stylized.

[00:03-00:04] Wide interior shot of a dark room whose walls are covered in repeating screens, each displaying the same eye image. Overlay the phrase “STAY ENGAGED” across the center of the space. The room should feel like a shrine to infinite screens, glossy floor reflecting the wall of images.

[00:04-00:05] Frontal portrait of the bearded man under the same magenta-cyan wash, now looking slightly more disoriented. The frame should feel compressed and media-contaminated, with subtle blur halos and electronic noise.

[00:05-00:06] Smash in on giant typography: “CONSUME” fills the frame in bold white capitals over a blurred face and pink-cyan haze. The word should overwhelm the image, functioning as a direct command instead of a caption.

[00:06-00:08] Cut to a stack of old CRT televisions in a dark room. Each monitor shows the same bearded man’s face, repeated in different positions across the stack. Keep the room sparse, the floor reflective, and the screens humming with analog glow. This should feel like the subject has been replicated into the media architecture.

[00:08-00:09] Shift to a softer but still corrupted command card: “STAY ENGAGED” appears over a blurry neon silhouette, with color channels separating and drifting. The phrase should feel less like branding and more like hypnosis.

[00:09-00:10] Finish on a data-heavy interface or surveillance-style screen where “STAY ENGAGED” persists amid code, graphs, or unreadable system panels. The image should imply that the subject has been fully absorbed into an automated attention machine.

NEGATIVE PROMPT: cheerful social media ad tone, daylight office scene, multiple random people, friendly influencer content, warm natural colors, clean corporate UI, realistic product commercial styling, comedy, outdoor city shots, weak glitch texture, unreadable command words, gore, fantasy monsters, irrelevant props, subtitles, dialogue bubbles, overcomplicated background clutter.

SPEECH PACK: no speech or narration; audio should feel like an oppressive media loop with phone taps, CRT hum, low digital drones, static bursts, and hard emphasis hits under the command words CONSUME and STAY ENGAGED.